This body of work examines broken car windshields as fractured surfaces echoing the structures found in ice. Inspired by Minor White’s contemplative studies of frozen forms, in which cracks, fissures, and subtle tonal shifts become meditations on transformation, these images use shattered glass not as a reveal of the damage but rather as landscape.
The spiderwebs and radiating impacts resemble the breaks and fissures of frozen waters in winter. Light refracts in patterns showing delicate forms that can at times feel both violent and precise. Like with ice, the windshield is suspended. Caught between holding and collapse, clarity and distortion.
The series invites viewers to move beyond the fractures' cause and instead work with the abstraction, fragility, and stillness in each image. What appears broken becomes luminous. What suggests rupture becomes structure? In these fractured panes, the everyday surface of the glass moves into a field of reflection, where transparency, memory, and impermanence converge.
The spiderwebs and radiating impacts resemble the breaks and fissures of frozen waters in winter. Light refracts in patterns showing delicate forms that can at times feel both violent and precise. Like with ice, the windshield is suspended. Caught between holding and collapse, clarity and distortion.
The series invites viewers to move beyond the fractures' cause and instead work with the abstraction, fragility, and stillness in each image. What appears broken becomes luminous. What suggests rupture becomes structure? In these fractured panes, the everyday surface of the glass moves into a field of reflection, where transparency, memory, and impermanence converge.
